Monet. The Triumph of Impressionism by Daniel Wildenstein

This biography does full justice to this most remarkable and profoundly influential artist, and offers numerous reproductions and archive photos alongside a detailed and insightful commentary. the magazine Arts from 1956-1962 and the Gazette des Beaux-Arts after 1963. He edited several international journals, e.g. From 1939 onwards, he was Director of the Wildenstein Galleries of New York, London and Tokyo.

The high point of his explorations was the late series of water lilies, painted in his own garden at Giverny, which, in their approach towards almost total formlessness, are really the origin of abstract art. Daniel Wildenstein (1917-2001) was an art historian and member of the Academie des Beaux-Arts (Paris). Whether it was through his early interest in Japanese prints, his time as a conscript in the dazzling light of Algeria, or his personal acquaintance with the major painters of the late 19th century, the work Monet produced throughout his long life would change forever the way we perceive both the natural world and its attendant phenomena. It could be said that Monet reinvented the possibilities of color. Of all the Impressionists, it was the man Cézanne called “only an eye, but my God what an eye!” who stayed true to the principle of absolute fidelity to the visual sensation, painting directly from the object.

Turner, tried as hard as Claude Monet (1840–1926) to capture light itself on canvas. This biography does full justice to this most remarkable and profoundly influential artist, and offers numerous reproductions and archive photos alongside a detailed and insightful commentary.No other artist, apart from J. The high point of his explorations was the late series of water lilies, painted in his own garden at Giverny, which, in their approach toward almost total formlessness, are really the origin of abstract art.

Of all the Impressionists, it was the man Cezanne called only an eye, but my God what an eye! who stayed true to the principle of absolute fidelity to the visual sensation, painting directly from the object. Turner, tried as hard as Claude Monet (1840-1926) to capture light itself on canvas.

Monet. The Triumph of Impressionism by Daniel Wildenstein